gorgeous, nonetheless.

via sander-architects.

“Its design is simple: an open plan interrupted only by a circular brick bathroom, a kitchen concealed under a sleek walnut folding bar, and ventilation provided by floor-to-ceiling doors on all sides that can be opened to the four winds. Although Mr. Johnson and Mr. Whitney, an art curator, were avid collectors, only two artworks are on display: a statue by Elie Nadelman and a painting attributed to the 17th-century artist Nicolas Poussin, on a two-legged stand in the middle of the space.”

via nytimes.

“NO house in France better reflects the magical promise of 20th-century architecture than the Maison de Verre. Tucked behind the solemn porte-cochere of a traditional French residence on Rue Saint-Guillaume, a quiet street in a wealthy Left Bank neighborhood, the 1932 house designed by Pierre Chareau challenges our assumptions about the nature of Modernism. For architects it represents the road not taken: a lyrical machine whose theatricality is the antithesis of the dry functionalist aesthetic that reigned through much of the 20th century.”

via nytimes.